'Touring The Angel was probably the most enjoyable, rewarding live show we've ever done'.- Dave Gahan. Depeche Mode was at its live best for Touring The Angel, one of the most successful and critically acclaimed tours of last year. Artist: Depeche Mode. Two CD edition. 2014 live album from the Synthpop pioneers. They have sold over 100 million records worldwide. Enjoy the Silence.

• David Dawkins • • Frazer Pennebaker chronology (1988) 101 (1989) (1990) Professional ratings Review scores Source Rating 101 is a live album and documentary by English band. It was released on 13 March 1989. It chronicles the final leg of the band's 1987–1988 and the final show on 18 June 1988 at the in. Band member is credited with coming up with the name; the performance was the 101st and final performance of the tour (and coincidentally also the number of a in the area).

The film was directed and produced. Contents • • • • • • • • • • • • • • • • • • • • • • • Background and development [ ] The band's original concept for the film was going to be about how Depeche Mode 'fit into' the 1980s. After discussions with an 'experienced director', they came to the conclusion that the (unnamed) choice was going to do something 'too glossy' and that they wanted to present something more nuanced and interesting. At this point, they reached out to renowned documentary filmmaker. He accepted, but discarded their initial concept, feeling that it was 'impossible to examine in an entertainingly cinematic fashion'.

Ultimately, the film focused on what Depeche Mode considered to be their strongest selling point—their live performance—as well as capturing the spirit of their fan base. Notably, the film prominently features a group of young fans travelling across America as winners of a 'be-in-a-Depeche Mode-movie-contest', which culminates at the band's landmark concert at the stadium in Pasadena. Much to the chagrin of fans, the film does not depict the full Rose Bowl concert, but instead shows interspersed snippets of the band, the 'bus kids' and live performances recorded throughout the tour. The 2003 DVD reissue included more concert footage, but as Pennebaker was 'shooting a documentary, not a concert film', a complete record of the Rose Bowl concert does not exist. Pennebaker used his approach, which he described as 'letting the camera run as unobtrusively as possible, thereby encouraging events to unfold on their own. [.] You edit more and the film changes every three days, but [the band] were very nice and patient about it.'

Pennebaker admitted there was a similarity between Depeche Mode and some of the other artists he'd filmed before ( and ): 'I found the audience very rapt; they were there for that band. Not any band would do. I got the feeling that maybe there was no other band they'd ever go out for again in that assemblage, and it made me take that audience fairly seriously.' Due to the prominence of the 'bus kids' in the film, it is widely considered to be the impetus for the 'reality' craze that swept MTV in the following years, including and.

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In various interviews, DVD commentaries and on their own website, both Pennebaker and collaborator Chris Hegedus have cited 101 as 'their favourite' and 'the one that was the most fun to make' out of all their films to date. Reissues [ ] 2003 audio reissue [ ] In 2003, Mute Records reissued 101 as a hybrid (SACD). In essence, the two-disc set contained 101 in three formats—multi-channel SACD, stereo SACD and stereo (CD audio). The multi-channel audio was presented in 5.1 and gave a better representation of the live experience.

The SACD was not released in North America. Due to pressing errors, however, the first run of the set was marred by a mis-encoded multi-channel SACD layer that skipped and was unlistenable on the first disc.

The stereo SACD and CD audio layers were unaffected. As a bonus hidden track, the multi-channel layer also included the full version of 'Pimpf'. 2003 DVD reissue [ ] In 2003, the film was released as a two-disc DVD with the feature film on the first disc, including a new commentary track with Pennebaker, Hegedus and the band. The second disc contained all-new interviews with,, and, with each interviewed about the solo projects they were working on at the time: (Gahan), (Gore) and (Fletcher). All three interviews were conducted separately by Pennebaker and Hegedus. Interviews with, band manager Jonathan Kessler, and three of the 'bus kids' were also included.